About Expanding Time

THE CONTENT

Centers on the love for Creation as one of the spiritual connections between religions. In particular, the special focus is on the historical significance of women in this context. In Islam as in Christianity, there were mystics who expressed their love for the Divine, for the Creator, in texts that were practically erotic. The Sufis Rumi and Hafis, as well as the Carmelite John of the Cross, are well-known male examples of this phenomenon. Long before them, Rabi’a al-‘Adawiyya (c. 717 – 801) was active. She was one of the earliest and to this day most important Sufi mystics, who sang of her love for the Creator in many poems. Three hundred years later lived Hildegard von Bingen (1098 – 1179, who is considered the first representative of German mysticism of the Middle Ages. Later, Mechthild von Magdeburg, Mechthild von Hackeborn, Gertrude von Helfta, Teresa de Avila and others followed with their mystical poetry.

Burkard Expanding Time

Burkard Wehner

Artistic director of the Berlin vocal ensemble Vox Nostra, after studying theology and German language and literature, he completed specialized studies in "Vocal Music of the Middle Ages and the Renaissance" in Holland. He sings Gregorian melodies and other compositions of the Middle Ages from original manuscripts of the 10th to 13th centuries.

Rasha Ragab expanding time

Rasha Ragab

The Nubian-Egyptian performing artist lives in Munich, studied law and art science in Cairo. Artistically, she began as a painter, and since 1998 she also works as a curator, among others in the Museum of Modern Art Cairo. She has been involved with Sufi mysticism for many years. Since 2012, she has worked together with Christoph Nicolaus as an artist duo.

THE AESTHETIC

is inspired by free-flowing forms, such as the compositions of Hildegard, the monastic psalm chants, the Song of Songs, the poetic power of Sufi texts, the extraordinary, spherical sounds of the stone harp, as well as the infinite. The human breath is the time measure for articulation and expression. Movements and site-specific positioning in space give the location itself its own voice. The program for each concert performance is created according to the dimensions of the space, the lighting and acoustic characteristics of the venue, and its unique atmosphere and history. Through the participants and the repertoire, a connection arises across centuries between Africa, America, the Arab world, Asia and Europe.

THE SOUND

of the concert performance is one of great introspection and meditative stillness. Singing, flutes, spoken voice, water performance and stone harp alternate and unite in a contemplative atmosphere. Depending on the project guest artists can be involved
Normisa Expanding Time

Normisa Pereira da Silva

The Brazilian-born flutist, Normisa Pereira da Silva, has lived in Berlin for many years. In addition to her work with new music - focusing on silence and the limits of the audible - she has been working for several years with sacred music of the Middle Ages in original neume notation and its realization for C-, alto and bass flute.

Christoph Nicolaus Expanding Time

Christoph Nicolaus

He is a visual artist, stone harp player as well as organizer and promoter of various art events, including "Kunst im Bau" and "Klang im Dach" (formerly "Klang im Turm"). Since 1994 exhibitions, concerts, performances. Since 2012 he works together with Rasha Ragab as an artist duo.

The stone harp is a little-known instrument: Specially carved stone blocks resonate through the touch of wet hands. The resulting sound is physically highly perceptible, and practically, with a great richness of overtones and a very broad sound spectrum.

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